his 2019 follow-up, “Fine Line,” for a fantastically funky and staggeringly intimate record fitting for its title.
Styles’ latest effort finds him crooning about change and how it remolds our paths. The effervescent lead single,seems to reflect on his parents’ divorce as he seeks comfort in his dear mother and sister , while “Matilda,” a pensive and folky ode to growing up, stresses that home comes in many forms .From the fanciful falsettos of “Satellite” to the masterfully melodic lyrics of “Daylight” , “Harry’s House” — much like Styles’ live concerts — is a playground for inclusivity.
Styles, 28, commands attention from the jump with a marvelous introduction that’s horny in more ways than one. Punctuated by literal brass horns and a groovy bass line, “Music for a Sushi Restaurant” drips in innuendo as Styles eroticizes fried rice, ice cream and blue bubblegum . He’s even more sexually overt on the suave “Cinema,” purring lines like, “You pop when we get intimate” with John Mayer on electric guitar.But it wouldn’t be a Harry Styles album without some vulnerable moments, too.
Does he share his clothing with Olivia? Asking for a friend.
I believe I had that same top but it was a very light pink, back in '72 or '73 ?!?!
You might want to watch the Zane Lowe interview...
🙄🥱🙄🙄🙄