Film review: Memoria lets Tilda Swinton just be

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Multi\u002Ddisciplinary movie follows a character trying to track down the source of a sound

Jessica is a stranger in Bogota, where she’s come to visit her sister in hospital. But not that much of a stranger – she lives in Medellin, a few hundred kilometres to the north, and has been there long enough to speak passable Spanish.

Jessica visits a sound engineer named Hernan , who tries to recreate the noise on a mixing board, starting with movie sound effects like someone getting punched, and working with her descriptions – less echo, earthier, rounder, more seawater, less bass – to create a kind of aural police sketch. But it doesn’t tell her what made the noise, or even if it’s real; merely that it can be duplicated.

 

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