“It’s an NC-17 movie about Marilyn Monroe, it’s kind of what you want, right? I want to go and see the NC-17 version of the Marilyn Monroe story.” In fact, it’s probably what the sexually-empowered, risque Marilyn would have wanted., Andrew revealed deeper details about the movie, including a new descriptor: “Raging BullIt is, first and foremost, a film about the manifestation of trauma.
He continued by calling the film both a “tragedy” and a “nightmare”, about a child no one wanted becoming the most desired woman in the world. “It’s about being in a car with no brakes. It’s just going faster and faster and faster.”about the movie’s timing in culture, and how it might have differed if it arrived in cinemas earlier. “If it had come out a few years ago, it would have come out right when #MeToo hit and it would have been an expression of all that stuff,” he said.
“It’s a film that definitely has a morality about it,” he added. “But it swims in very ambiguous waters because I don’t think it will be as cut-and-dried as people want to see it. There’s something in it to offend everyone.”— from the casting, to the plot and release date. is based on the 700-page book of the same name by Joyce Carol Oates, which was released in 2000. Joyce has long been adamant that her book should not be considered a biography, but rather as a fictionalised historical novel.
The script for the film has done the rounds on the internet for a while, and a first cut was submitted to Netflix last year, who were rumoured to have asked for re-cuts due to it being, as put it, “too weird”. That too was a first in the studio’s history, who famously allow directors to have free rein over their projects. Since it began production all the way back in 2010, a number of actresses have been linked to the role. Originally
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