playwright Ruby Rae Spiegel says she has been under a lot of pressure by theaters to cut it out, but she refused because of the political importance to demystify this common event.—just another routine part of women’s lives, just another type of surgical procedure, which is political in itself.
I did write a play about the primarily white middle-class women who ran Jane, and they openly recognized themselves that they had protections that poorer minority women would not have had to run such a service. And so they used that privilege to help others. That was the case of Sarah Weddington in, from a similar background. So it’s legitimate to portray the white women who were activists and took very big personal risks.
advancing that hashtag on Twitter. Many activist events just center on showing how this is an ordinary and common experience not to be ashamed of.where Weddington’s feminist consciousness-raising group is getting together right aftercomes out and they are trying to find their cervixes. It’s played for laughs, but I think it underlines the shame and discomfort even “liberated” women feel.
I am frustrated that there is a binary way we talk about “choosing life.” The world doesn’t cleave neatly into “people who have abortions”‘ and “people who choose life.” Many who have abortions go on to have children and/or parent in some form or another. Many who are already parents choose abortion as the best option.within the past few months was a sketch at Second City, where a daughter is driving her mother to a clinic because the mother is getting an abortion.
Entertainment Entertainment Latest News, Entertainment Entertainment Headlines
Similar News:You can also read news stories similar to this one that we have collected from other news sources.
Source: Chicago_Reader - 🏆 447. / 53 Read more »
Source: Chicago_Reader - 🏆 447. / 53 Read more »