Actor Thomas Mann explains why he couldn't say no to Chariot | Digital Trends

In the film industry, there’s a notion that actors must carefully navigate between small passion projects and big-budget blockbusters based on IP. It’s the “one for me, one for them” theory. Despite not having complete control over his choice of projects, Thomas Mann is successfully carving out a filmography made up of both independent films and commercial pictures.

In the movie, you play Harrison. To me, Harrison is this regular guy who has to react to all of the craziness and confusion around him. It really plays with your character’s emotions. How did you prepare for a role like this, knowing that it’s not so much what you say, but how you react to all of the stuff around you?

I knew instantly that I didn’t really have to worry too much. He wasn’t going to be a hard-ass, you know. I could just relax, and we had a good time. He was a very playful actor and is constantly thinking of new ideas. By the third day, we were just trying to make each other laugh, and that was a really nice place to get to. We had a ball.

Adam Sigal is very hands-on in this project because he wrote the script and directed it. As an actor, do you feel it’s easier to work when someone who wrote the script is also calling all of the shots behind the camera? In regards to your filmography, you have a good balance between bigger studio blockbusters and smaller indies. Is this something you set out to do? Do you have a “one for me, one for you attitude” when choosing your next project?

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