? Because those are as important to Cage’s career as those more noted movies. They’re the ones that have paid the bills, and they’re the ones about which Nicolas Cage is belittled by young Nicky Cage.
The script by director Tom Gormican undoubtedly shows the fingerprints of his co-writer, Kevin Etten, and his tenure on format-busting TV shows like. There’s a playfulness, even giddy silliness, with Nic and Javi goofing around, high as kites, like over-excited schoolboys on a shared sugar rush. Those moments are fun, but they’re also part of a subtle tragedy that keys into Cage and every decision he’s made – creative, personal, professional.
Cage is far from the first actor to play himself, and there’s a self-critique at play that would make for a suitable double bill with Jean-Claude Van Damme’s self-castigation inwas a way for “The Muscles From Brussels” to show that he was more than the two-dimensional action hero.
This is Cage trying to find himself in all those messy decisions he’s made, trying to make amends while accepting and celebrating who he is. Even when the film sporadically becomes formulaic and fits into a more singular action-comedy groove, it’s its own commentary on the divide between what Cage wants and what the audience wants, and his preparedness to give them what they want. In its final moments,gives Cage a glimpse of what it is he truly wants.
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