Upload depicts economic inequality in the digital afterlife | Digital Trends

There are many shows that deal with a form of the afterlife. From The Good Place to Altered Carbon and Lucifer, each has its own interpretation of Heaven and Hell and what happens to our consciousness when we depart the Earth and our physical human bodies. But none tackles the concept quite like Amazon Prime Video’s original series Upload.

Our propensity toward capitalistic mentalities means that, on the show, businesses and a new type of real estate agent have popped up to offer communities of all kinds where families can register their loved ones – even themselves – after death. Want to live out your afterlife on an exotic virtual beach? Or maybe you want something with cityscapes, or a Zen-like community of calm. It’s the new type of retirement community that goes on forever, or at least until the money well runs dry.

When Nathan’s wealthy girlfriend, Ingrid, convinces him in his dying moments to agree to be uploaded to a lavish digital estate called Lakeview, he finds himself thrust into a world that offers both opportunities and challenges. Like a digital Ritz Carlton, guests have whatever they want at their fingertips. Feel like a filet mignon? No problem! Want to take a steam bath? Head on over. There’s a casino, hair salon – you name it. A.I.

The economic divide doesn’t just exist in afterlife communities like Lakeview, but in the real world as well. Horizon runs Lakeview and employs people for a ridiculously low salary to manage the onboarding and day-to-day needs of the uploads. Each Angel, as they are cutely called, has a heavy workload managing dozens of clients, who rate them on a star scale that impacts their salaries and performance reviews.

The importance of this pay-for-play strategy is highlighted when Aleesha, Luke’s Angel, finds herself having to constantly keep the troublemaker in line, stopping him from accessing areas he shouldn’t or manipulating deals to get free merchandise. For those paying, it’s a business built on guilt.

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