He grew up then, in a loving family but suffered the early losses that make for an idealised view of family life, to which some critics attribute his tender Madonnas. What Vasari emphasises is his easy and graceful manner: the ideal courtier of the time. Santi apprenticed him to the respected artist Pietro Perugino in Perugia, whose style he assimilated; then in Florence he learned from Fra Bartolomeo and fell under the overwhelming influence of Leonardo da Vinci.
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