Virtual Museums Challenge the Art World’s Status Quo

). It was an inflection point. Museums and galleries had long worked to share art virtually, but the consensus often remained that it was a substitute, never as good as seeing a painting or sculpture in a brick-and-mortar institution. “Art needs to be seen in person,” says KV Duong, an artist who curated his first online show last year. “Art lovers want to see the texture, smell the ambiance, meet the people, and just feel that physical space of standing in front of a work.

“You can do anything—that’s really exciting and really intimidating,” says Semple. “We don’t need to ship anything, move anything, or insure anything. If a gallery isn’t big enough, we just make it bigger. We don’t need the planning commission to put a new floor in.”Why We Shout: Art and Protest, For all its bells and whistles, what might be most striking about VOMA is, well, how boring it looks. With technology that creates fantastical game worlds readily available, its creators could’ve set it on Tatooine if they wanted to, or at least the moon. Instead, its aesthetic might best be described as Marfa Modernism. Lots of open space and clean lines. Stucco and industrial-looking steel fixtures. There’s even a gift shop.

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