in the early 1980s would find it hard to believe him capable of the skilful, touching dramas he’s making today. The Spanish director’s first efforts, such, put him in the same territory as provocative campmeisters such as John Waters or Paul Morrissey. His movies were to the film industry what punk rock was to popular music. Nowadays, he’s looking conspicuously grown up.
Arturo agrees to help promote an excavation of the massacre site, and he and Janis become lovers. Because Arturo is already married, to a woman being treated for cancer, the relationship goes no further. When Janis discovers she is pregnant she decides to raise the child by herself. At close to 40, she is excited by the prospect of motherhood.In the maternity hospital Janis’ room-mate is Ana , a teenager, also destined to be a single mum.
When Janis brings in Ana to help with the baby, she finds herself becoming a surrogate mother to the young woman. She is the “good” mother, as opposed to the “bad” mother, Teresa, who accepted the lead role in Federico García Lorca’s, just as her daughter and granddaughter were arriving from the hospital. The choice of play links to the film’s historical subtext because Lorca himself was executed by the fascists in 1936 and his body never recovered.
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This one was a complete disappointment
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