How ‘Surface Pressure’ Brought Music Back Into Jessica Darrow’s Life

Below, Darrow reflects on the recording process of “Surface Pressure,” the global success of What was the recording process like for “Surface Pressure”?

When it was time to go into the studio, they gave me so much room to be creative. It was my own creative process working on the song — I wasn’t given any lessons beforehand, and they wanted to see what I would do with it. I just winged it, and it was pretty good. I did three total recordings. My first recording of the song was before I did a lot of the dialogue, so it colored the rest of my performance and creation of Luisa. The third time I went to record it, I had a month’s space in between — I thought about the song even more, and I realized how much I needed to let myself lean into the lyrics. I [thought about how I] get to tell this very important story through this beautiful art form that is safe and through the lens of a Disney character.

Lin gave me notes that encouraged me to bring out the texture in my voice and lean into the emotional message behind [the song], and what it made me feel emotionally and viscerally. He told me, “You don’t have to worry about sounding perfect just ride these notes on the song and see where it goes,” which is what I ended up doing, and it’s ironically Luisa’s journey: you don’t have to be so perfect, stop being so rigid.

I also think it’s amazing that it’s Latinos at the forefront. We rule the world! I love that in this representation of my Latino culture, you can find yourself regardless of where you come from. The colors, the food, the characters, the type of personalities, it’s what it means to coexist. When life gets hard, you just turn the music up and shove food in your mouth — and when that’s not enough, you start talking about things.I am currently working on an EP. It’s crazy to say that.

땡큐~

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