There’s a lot to love about John Patton Ford’s feature debut, Emily the Criminal. Not only is it one of the best films I saw at the 2022 Sundance Film Festival, but there are also a number of things happening behind the scenes that signal significant promise and possibilities for those involved — and that's ultimately a big win for us movie lovers too, right?
“In terms of the fear informing the writing process, I’m a big believer in every movie you make is kind of a thesis about whatever your life is at that moment. I think those typically create the best movies. At the time I was writing this, there was just a lot of uncertainty and insecurity in my life.
“I came right from Atlanta doing this other movie, had to dye my hair back to whatever color, and then I didn’t have much time. But the fact that he took the time for us to rehearse and get to know each other, and it was us three in there, to me, it’s everything that made the film what it is. People keep talking about the chemistry of it. That started with the rehearsal. And the truth is, the sad reality is, you never get it. You just don’t get it.
On top of that, having a well-known seasoned pro back a new filmmaker or an idea that might be more challenging to get off the ground can make all the difference. Given the myriad of ways a producer can contribute to a project, I opted to ask Plaza about her priorities when working on a film in that capacity. Here’s what she said:
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