to become her, so her death won’t be as painful for her loved ones. Which goes fine, until Sarah miraculously recovers. And now one Sarah has to go.From the very first frame, Stearns has a very clear vision of what this world is and how the story will be told. Could he tell this story as a straight action movie? Sure. But, there’s sadness, and Sarah is the perfect conduit.
It’s important to remember, though, that the film is called “Dual,” not “Duel.” While the “duel” is the carrot on a stick, Sterns is more interested in exploring the implications of the duality. Through his lens, we see both sides of a singular existence and, as a result, can begin to really think about our own lives. Which, according to the filmmaking, might not be as bad as we think.
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