, as the brave Scottish general and his wife whose dreams of becoming royalty turn them murderous, shifts the material into a different shard of light. When these characters are played by actors who are past middle age—almost past the point where they could derive much enjoyment from power, let alone riches—their desperation becomes the point. This is their last stop. They don’t want to die as also-rans, content to wear a halo of coulda-been-a-contender nobility.
Coen shows her to us, and to Macbeth, in a triplicate mirage. Her prophesy—that Macbeth will become king—is one he gradually takes to heart, writing of it in a letter he sends home to his wife, McDormand’s Lady Macbeth. She reads it eagerly as she strides through a minimalist corridor flanked by tall candlesticks, one of which provides the flame she uses to burn the missive and send it through a window, flying into the night like a misbegotten planet.
szacharek Denzel deserves the Win. Frances should've been nominated! Beasts
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