Think back to Fellowship and it’s hard not to be instantly reminded of a carefree Frodo sitting beneath a Hobbiton tree, patiently waiting for a visit from Gandalf that’d change his world forever.
Ghost story The Frighteners saw him dabble in CGI in 1996 – but his work on The Fellowship of the Ring not only required him to up his game – but the game of filmmaking in general. In addition to creating multiple to-scale set-pieces and uncanny real-life make-up and prosthetics , Jackson’s use of forced perspective to make his hobbits appear hobbit-height alongside their human co-stars still boggles our brain to this day.In addition to having a killer score , maybe Fellowship’s most appealing quality is its ability to whet our appetite for even more.
Went to see extended cut version of films in cinema for first time last summer. Fellowship is stunning.
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