Noting that “a very transgressive kind of subject matter that was being introduced by this band,” Haynes said “We felt that this was something that we’d sort of forgotten: the vitality of it, and the impact of it, and that it was something that was worth reexamining, particularly using, the avant garde films that were so important to this time and place.
Haynes pointed out that his team licensed a greater volume of archival film that the documentary’s actual running time, in order to capture, dissect and re-create the various multiscreen strategies used to present the band visually.
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