is, from certain angles, a sort of romantic drama, peppered with crunching fight scenes. What the film seems to be confronting is Bond’s inherent and perhaps unavoidable alienation; how can he ever really settle down and commit and be present when he’s built a whole life of distrust and danger?
Hopefully it is not perpetuating toxic masculinity to say that I don’t really need nor want to see James Bond cry. Not because he’s a man, but because he’s James Bond—a character who has winningly enough existed in so many movies as a wry smoothie who never getsNo Time to Die
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