In Daphne Du Maurier’s short story Not After Midnight , a tourist in Crete unwittingly stumbles across a couple stealing ancient artefacts from a shipwreck. To buy his silence, they leave him a piece of the stolen treasure. Du Maurier’s protagonist is torn – should he keep it? – but he eventually tries to return the antique by whatever means possible, acutely aware that he isn’t its rightful owner.
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