’s shoes was a daunting prospect. Then we wrote some songs that were in Lin’s wheelhouse and for me, walking in Lin-Manuel Miranda’s shoes was a daunting prospect, but we had a blast.”contributor — Jon Burlingame about meeting fellow composer and songwriter Howard Ashman on an off-Broadway hit . “Howard had very strong feelings about making sure that we were always driving story forward, and always stylistically rooted in a world,” says Menken.
Menken also shares a story about collaborating with Ashman on “The Little Mermaid,” “Beauty and the Beast” and “Aladdin” simultaneously, unaware Ashman was battling AIDS. A musical partner and friend, Ashman had completed the music and lyrical work, but died shortly before winning a posthumous best original song Oscar for “Be Our Guest” from “Beauty and the Beast.”
Part 2 features Menken discussing how he finished working on “Aladdin” alongside British lyricist Tim Rice. The segment also discusses the surprising viability of musicals that were either commercial or critical disappointments, notably “Newsies” and “Hunchback of Notre Dame,” which went on to enjoy new life in stage versions.
Menken also shared a personal story about a young Lin-Manuel Miranda on the podcast. “I would hear about Lin-Manuel Miranda when he was a little kid because my niece went to the Hunter school and she was a classmate of Lin’s,” Menken shares. “I would hear about [him] from my sister Faye, who would say, ‘This boy Lin, he loves ‘Little Mermaid’ so much. Could you sign this poster? I remember signing a poster to Lin that said, ‘To Lin, please stop kissing Jenny’s feet.
We’ve been known this.
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