In converting the staged musical to a film version, Butterell faced another risk — one inherent to these kinds of adaptations: all that earnestness can become grating, and those big song-and-dance numbers don't always survive the scrutiny of a camera crew.
They save the sparkle for the musical numbers, which are almost entirely framed as fantasies direct from Jamie's imagination . In the stage show, we meet Hugo and his Loco Chanelle persona through a thoroughly bombastic and camp number that does little to flesh out Hugo's character or the world of drag, playing into easy stereotypes.
Miss Loco Chanelle's look was inspired by the work of renowned American photographer Nan Goldin, who captured the 80s drag scene.
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