But the young Wiley also felt somewhat alienated from the works, which didn’t feature Black or brown faces like his. Thatgrowing up, would eventually inform his art practice, which addresses questions of representation, objectification, power and colonialism in art as well as historical inequities in cultural monuments.
Wiley’s new work for the Huntington, which will be part of the museum’s permanent collection, is both historically referential and particularly immediate. It’s titled “A Portrait of a Young Gentleman,” which was Gainsborough’s “It’s aesthetically and traditionally tied to a very mannered and known narrative surrounding power, dignity and beauty,” Wiley said. “And also the way that a society wants to figure a young man coming into age, coming into manhood.”
will hang where “The Blue Boy” now does, at the head of the Huntington’s Thornton Portrait Gallery. “The Blue Boy” will be relocated opposite the work, at the other end of the gallery, for the run of the exhibition.Whereas Gainsborough’s work is “a starting point,” the artist said, the new painting “arrives at a completely different set of cultural leanings by virtue of the way that we look at Black people, and Black boys, by virtue of the way that we change meaning and context.
Why? 😵💫
I really look forward to seeing his work unveiled
Just remember I Am Going to have the last laugh ... Hell Hell Hell Hell!
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