With seven titles selected for Venice VR Expanded at this year’s film festival, Taiwan has once again demonstrated its potential as a global leader in virtual reality content production. But this time, the tech hub in Asia has more to offer: it aims higher than just flaunting its technological advancement and the quality of locally produced works. It wants to elevate itself as an international player that collaborates with creative forces from around the world.
“We will continue to cultivate global talents, consolidate resources worldwide to incubate more content, and promote Taiwan’s excellent creativity to the world to further push the boundaries of XR content and raise the global profile of Taiwan,” Ting says. This year, HTC Vive Originals partnered with Astrea, a distributor specializing in immersive entertainment with offices in Paris and London, to expand its global reach, particularly in Europe and North America. HTC itself handles Asia territory.
“The development of ‘The Last Worker’ is led from here in the U.K., but it wouldn’t have been possible without Taiwan,” says Tittel, also a director of production company Oiffy. “The Last Worker,” co-funded by Oculus and Wired Productions, features participation from Taiwan’s Pumpkin Studio.
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