Terence Davies on His Siegfried Sassoon Biopic ‘Benediction’ and Why He Hates Jane Austen Films

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Terence Davies on his Siegfried Sassoon biopic Benediction and why he hates films based on Jane Austen novels

,” a lush biopic of Siegfried Sassoon, the poet and decorated veteran who became an outspoken critic of World War I. The film should be catnip for Davies admirers. It’s another beautifully composed portrait of genius, repression and loneliness, and a film that compliments his last cinematic outing “A Quiet Passion,” the acclaimed 2016 biopic about Emily Dickinson.

“Benediction” stars Jack Lowden as Sassoon and charts his tortured romances with male lovers such as the screen star Ivor Novello, his break with the ruling class over the conduct of the war, as while as his later embrace of religion. Ahead of the film’s debut on Sept.

What did he want to be redeemed for? His sexuality? His experiences in the war? Why was he searching for atonement? Where redemption is concerned, it wasn’t one specific thing. Those things you mentioned would have been eased had he found redemption, but redemption is not about redeeming guilt. I think he wanted to feel worthy. Worthy of what, I don’t know. In his case, I think he wanted the solace of God, which I wanted too. I prayed like anything, and no succor came. It was completely worthless and it made me feel worthless.

They’re privileged, so they can get away with it. That’s where the privilege comes in. A lot of the upper-middle and upper class were bisexual or homosexual. Siegfried Sassoon knew literally everyone in society. When he was wounded, Winston Churchill and his mother came.I think the war poetry endures. Some of that later poetry is heartbreaking and deals with loneliness and very often it’s conveyed in just two stanzas. They’re wonderful because they’re diluted down to the bare essentials.

 

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