The three-minute film, mostly black-and-white, is fragmented and replayed to provide the visuals in the 69-minute documentary, and is shown in its entirety at the start. It captures a cobblestoned main street, with people crowding in front of the movie camera, a novelty at the time. In another scene a throng of worshippers comes out of a synagogue. The women in town wear everyday cotton dresses and some men have newsboy caps.
At first glance, they might be extras from, in images that briefly highlight the obstacle Stigter smartly overcomes: how to avoid familiar tropes that may actually lessen the film’s impact.Venice Film Festival Her solution is to create a narrative of discovery. David Kurtz’s grandson Glenn found the crumbling film in a closet in 2009. At first he was so uncertain of what he was looking at that he thought it was his grandmother’s hometown and not his grandfather’s, Nasielsk, north of Warsaw.
I'll be very disappointed if this movie doesn't receive 3-minutes standing ovation.
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