Paolo Sorrentino’s ‘The Hand of God’ (‘È stata la mano di Dio’): Film Review | Venice 2021

. But although the Fellini inspiration is acknowledged in the story in an amusing audition scene, this is an intensely personal film, very much imprinted with Sorrentino’s own signature. Returning to his Neapolitan roots to reflect on the experiences of the tender teenage years that shaped him has brought out sumptuous veins of joy and sorrow that feel richer, deeper, more searingly poignant than anything the director has done before.worldwide Dec.

15, this exquisitely crafted homecoming doubles as a hymn to the glories of Naples — the beauty of its gulf coast, the decaying splendor of its architecture, the lusty musicality of its vernacular and the vitality and natural humor of its people.

Golden Lion winner

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