"Petra wanted it to be like a really angsty Y2K kind of vibe, like early 2000s movies," Hartleben tells,"but with a little twist to not make it so first degree. We really talked a lot about teen movies, like, the classics that have turned popular again in this new Gen Z era. And those were all the foundation of the styling in terms of the extras and the just the overall vibe."
Hartleben, who's worked with Collins before on numerous projects, adds that the two of them grew up watching these"bitchy teenage dramas" which made the process a lot of fun without being too referential. Several bright young designers from
There is no creativity, how gross
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