Israeli director Navot Papushado is a typical “movie brat”. His interviews about his artistic apprenticeship are peppered with so many admiring references to his filmmaking forebears that you wonder how he ever came up for air.is his second feature and you can see Quentin Tarantino’s influence everywhere. It’s in the film’s deadpan tone and breezy conjunction of violence and mordant jokes.
It’s about a team of female assassins who go to war with their former employers, a crime syndicate known only as The Firm. The team’s base is a library, of all things, chosen because Papushado thought he could make a metaphor out of it. If knowledge is power, why not turn a library into an armoury and hide weapons in with the books? Get it? Perhaps not. But Papushado is out to indulge his imagination here and stretching a metaphor to snapping point is all part of the game.
And it’s quite a game. He’s not just paying homage to Tarantino. He’s matching him with the ingenuity of his action sequences and the sharpness of his dialogue. And he has assembled a terrific cast.
While Papushado shares Tarantino’s taste for bloodletting, he’s even more intent on infusing everything he does with wit. He applies a literal meaning to the phrase crash course, for instance, when Sam is forced into giving a driving lesson to the eight-year-old girl she’s trying to protect – a sequence that starts as a carpark ambush and rapidly accelerates into a car chase.Save
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