is rumored to include musical elements once intended for a West album), the Neptunes , Swizz Beatz, 808Melo, Jahil Beats and more.
While a wealth of guests rarely bodes well, it’s worth mentioning that most of Smoke/Victor’s chosen features are sly and clever additions to Pop’s husky flow and round-the-way poetry. The ambient twirl and chamber folk backgrounds of “Bout a Million” give a throaty Smoke, 21 Savage and 42 Dugg ample room to explore the luxurious track’s contours, with each rapper intertwined within the track like a Moebius Strip. While a rough-hewn Future, on the brusque “Mr.
What Dua Lipa is doing on a Pop Smoke track, there’s no telling, save for the fact that their “Demeanor” teaming is a dud, as is the lifeless bragging of “Manslaughter” featuring Rick Ross and The-Dream. Fortunately for Smoke heads, “Faith” is bookended by Pop alone, on the too-brief, holy-rolling soul of “Good News” and the sparsely produced, stop-and-start, cackle-and-woo-laden “Merci Beaucoup,” with the dramatic “More Time” in between them. With his heaving, gruff voice in full display, “More Time” speaks volumes about what it means to be a bold man in the badlands, as Pop Smoke certainly saw himself, but pauses to applaud, and warm to, his mother’s wishes, if just for one moment.
You can say “if only” all you want about a dozen different artists, but “Faith” makes it clear Pop Smoke had a real future, with its show of soul and progress.
Who does Chris Brown assault on this one, or is just our ears?
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