That’s the person filmmaker Morgan Neville is interested in: the Anthony Bourdain without the scare quotes around the name, the guy behind the gruff exterior, the restless enthusiast and ever-searching expander of horizons that friends and loved ones knew. You do not need a documentary to prove that the tour guide ofcontained multitudes. Any viewer could see him mature and mellow out, or at the very least become more meditative, as seasons progressed.
New places, new experiences, new encounters sub in for Bourdain’s old adrenaline rushes. A second wife, Ottavia Busia, and a first child settle him down. And the movie settles into a groove of its own, with friends from the food world , his TV crew, and the rock world sharing anecdotes and space with home movies, series highlights, and the oddAnd yet: Forward momentum towards something else becomes the guiding factor in the late acts of Bourdain’s life, or at least that’s the thesis here.
Bourdain does mention, while walking along the beach and reminiscing, that he picked up the allure of drugs from musicians and writers as a teen, but there isn’t much follow-up on the film’s part; it doesn’t interrogate how his addiction played into everything that followed. We learn little about his first wife, despite the fact that she and Tony were high school sweethearts and married for 20 years.
“I’m dating a crazy Italian actress,” he informs a friend, followed by: “This will not end well.” And when things went south in their love affair, no one directly blames Argento for what happened next. The self-destructive tendencies were already there. To those who cared about him, the wounds of his loss still seem to have barely scabbed over.develops a deeper sense of why Bourdain’s story goes beyond bestselling books and being famous, in sharing the discoveries he made with everyone else.
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