Scarlett Johansson is back in black as Marvel's superspy 'Black Widow'

, as just “a tiny speck of an idea.” As fellow Avengers like Thor and Captain America got stand-alone sequels and threequels, Natasha continued to evolve within the main MCU story line until her death in, a noble finale for a character who dedicated her hero career to trying to right past wrongs. “We had been planning the conclusion for the Infinity Saga for the past five or six years, and Natasha’s journey within those films took the priority,” Feige explains.

Even as journalists and fans repeatedly asked Johansson when Black Widow would be going solo, the actress was privately unsure whether that was something she even wanted. “I was like, I think I’m good,” Johansson admits. “If we [were] going to do this, it had to be creatively fulfilling. I’ve been working for such a long time, and I have to feel like I’m challenged. I don’t want to do the same thing that I’d already done before.

What changed her mind was a meeting with Shortland, an Australian director known for her introspective, female-fronted indies like 2004’s. “We just bonded over stories about trust and about intimacy and about women surviving,” Shortland says of that initial chat. “You didn’t have to be a superhero to identify with a woman who has had a really tough childhood and has survived and has a huge heart and helps other people.

“When I looked at the past films, there’s a lot of sitting outside of the character, so that she is seen and kind of objectified,” Shortland adds. “Oftentimes we don’t really get to see who she is when she’s by herself — who she is when she takes off the action-hero facade.”peels away that facade. Over the years, Marvel has sprinkled in cryptic allusions to Nat’s past — a reference to Budapest here, a Red Room flashback there — but the new film dives deeper.

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