Photo: Landon Nordeman It’s a rainy June afternoon, and most of the cast members of the new Gossip Girl are lining up to hit their cues for the Thanksgiving episode. It’s a classic Gossip Girl setup: a holiday designed to sow discord while supposedly being about gratitude.
The fantasy of the show is that these characters are 17-year-olds who, with the right mix of absentee parents and no credit limits, are allowed to act as adult as they want. These teens talk and sleep around and drink like grown-ups; the idea of adolescence, of not being taken seriously, is a nuisance. They wear heels and suits and plot corporate takeovers and teacher firings; they drink martinis at the Plaza to prove how adult they are.
Much of the first run of the show had Safran’s fingerprints all over it. He graduated from Horace Mann. Nate Archibald’s relationship with his tormented father is based on Safran’s own family. “Growing up, I didn’t know how much our apartment was on the Upper East Side,” he says. “I had no idea. I just knew it was on a low floor in a bad building, so therefore it was less than my friends’.
And so Safran and Savage and Schwartz met over breakfast. Safran was working on another music-heavy passion project, the Netflix series Soundtrack; he hadn’t ever watched Gossip Girl’s last season, only the finale .
The new show spends the kind of money the old show could only dream of its characters having. “He was like, ‘I need to elevate this,’ ” says Cassandra Kulukundis, the show’s casting director and Safran’s longtime friend. “He had so many lofty ideas, and he has such high-end taste. He’s like, ‘I don’t want people thinking it’s going to be this teen soap opera. I really want to make it the HBO way.
“Kids know how much money their families have,” Safran says. They know exactly how rich they are, what they can buy, and what their friends can buy. Safran’s wishes now have Kania happily in a tizzy. Is there an arms race of sorts between the Gossip Girl people, the Billions people, and the Succession people? “It’s not uncommon that we might be butting heads looking at the same restaurants, because there are only so many restaurants where this type of person would eat,” he says. “Same thing with penthouses, townhouses, and everything else — there are only so many places where people who have that wealth go.
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