nabbed the top spot on box office charts, debuting with US$11.6 million from 3,331 US venues over the weekend., opened on the big screen on Wednesday and has collected US$17 million to date. However, the film cost nearly US$70 million to produce so it could face challenges turning a profit in theatres.is one of the rare post-vaccine era movies to play exclusively in theatres.
will duke it out for fourth and fifth place once final figures are tallied today. According to Sunday estimates, both films brought in US$5.1 million over the weekend. The former, which is being offered on HBO Max, has pulled in US$53.5 million at the US box office. The Emma Stone-led, which is available on Disney Plus for a premium US$30 rental fee, has made US$64.7 million in the US and US$95.2 million overseas.
Meanwhile, indie films without blockbuster-level promotional efforts haven’t been attracting notable audiences. Among limited releases, Edgar Wright’s music documentary, from Focus Features, premiered in 534 locations and brought in US$265,000 — translating to a tepid US$489 per location. The similarly well-reviewed Roadside Attractions docpulled in US$75,715 from 227 screens for a weak US$334 per-screen average. sequelis expected to provide a much-needed shot in the arm to theatre operators.
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