focuses on a group of educators who have reached turning points in their respective midlife crises. Rather than buying classic cars, having affairs, or going to therapy, they’ve decided to run an experiment: They’ll maintain a functional level of drunkenness each day during work, stopping in the evening, and record their findings. What happens is, of course, inevitably uncontrolled.
Filmmaking is very collaborative, but you’re also someone whose films are unmistakably yours. What are the challenges of making these kinds of films? What aspects of making them may be easier for someone who isn’t working in Hollywood? You can take this many places. Before I turned this into a movie, it was a play, but that was before I found the story. I just knew I wanted to make something about alcohol. And I wrote a play for four women actually, which is now playing here and there, but less successfully, because I hadn’t found the story yet. And then it became this movie, and I wondered what it could lead to. I’m curious about that. The movie has a very interesting balance between sarcasm and sincerity.
And my wife, she said there’s no room for the uncontrollable, such as being inspired, such as getting an idea. And I said, “What’s so special about getting an idea?” She said, “Well, it’s something you get. It’s not something you buy or measure or prepare. You get it from somewhere.” And another example she gave me was falling in love. You fall and you lose control and you meet something bigger. So if this movie is anything, it’s a fight for the uncontrollable, for letting go.
And yeah, I guess you’re right. He doesn’t have those elements of security that hold life together. And that’s probably maybe why he’s lost at the end. You see, this movie is written for these specific actors. And Thomas, who plays Tommy, is an anonymous alcoholic. So he’s in many ways the antithesis of the movie. He’s such a lively, inspirational, fantastic, happy-go-lucky kind of guy, and he doesn’t touch a drop of alcohol.
I’m sure you’re asked about it in almost every interview. I know that with grief, sometimes it feels good to be asked because people aren’t tiptoeing around you. But how do you feel in general about having to talk about it?
And there’s already a remake of it in the very early stages?
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