to life visually. “Topaz kind of rolls his eyes when I say this stuff,” says Davis, “but we all rallied behind [him], somebody who’s one of the most beautiful souls that I know, who made a really meaningful album, who’s one of the best people that I’ve ever met in my life, energetically, morally, and artistically.” Below, Topaz and the films’ directors discuss the making of the project.Topaz: I’ve never made something with this much of a clear intention before.
Something that I think we’ve all collectively reacted to is the confines of a single music video. I think Topaz creates really incredible albums. He makes great standalone songs [too, but] the three-minute music video structure can be quite limiting in that you are giving life to a single song.
Topaz Jones: Also, when I’m making music, that surreal quality is the goal, the goal is to put those kinds of things to sound. In trying to make a film that materializes and makes music tangible, I think it has to be surreal to kind of capture that energy. When you say “in the heat,” do you May and June’s racial uprisings? Is that when you were working the ideas out or is that when you’re filming?
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