Call Her By Her Name: Tanu Muino is the Music Video Director of the Moment, Thanks to Lil Nas X’s ‘Montero’

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Going to hell has been a heaven-sent mission for Tanu Muino. She co-directed the year’s — and maybe the young decade’s — most talked about music video, “Montero (Call Me By Your N…

’s slightly more down-to-earth “Up,” which doesn’t flirt quite so flagrantly with damnation.

“It was very fun to find how to make lap dance on devil,” she says, as if that’s a fairly standard thing where she’s from, Zooming in from Odessa to catch“For me, Cardi was so big and so huge, when I got it, I went, ‘Oh my God’ — it was the biggest artist I ever had,” she says. “And while I was in L.A., after I had a two-day shoot of Cardi, I got the proposal from Saul to write a treatment for Lil Nas, and I love him, so it was very exciting to happen.

It threatened to happen without her, at least in the flesh. On the front end of the shoot, Muino worked with her collaborators for two weeks before Lil Nas was to show up for a two-day shoot, to be followed by five weeks of special effects work and post-production. But when it came time for cameras to finally roll after all that storyboarding and rehearsal, Muino wasn’t initially physically present.

The Cardi B video was more in her wheelhouse, sans FX. “It was super different because all the sets were real, built by crazy art directors, and you have all the dancers and the costumes, and we had seven locations. With , Nas was playing all the parts. It was all green-screen in one place.”

 

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