and enriching it with contemporary interventions and mod-cons, such as a Swedish design kitchen, custom-made door hardware and bespoke bathroom fittings. Window frames were restored, walls were polished and kept their original off-white colour, and the decor remained clean and simple, based on craft and the original design’sComplementing the architecture, the interior was filled with a collection of vintage and modern furniture and art.
‘The Senzafine sofa from 1969, a prototype for Zanotta by Eleonore Peduzzi Riva who co-designed the famous DS-600, is situated facing out to help residents enjoy the view,’ says Kohnen. ‘It is a perfect example of the utopian optimism of this era, that was dominated by young architects and designers being able to realise their ideas at large scale.