On top of all of that, he’s also starring in a new Lincoln ad, which featuresAhead of Music’s Biggest Night,caught up with Batiste about his busy awards season, what it’s been like to adapt his live performances to fit a pandemic, his new album, and more.I'm feeling happy. I think we have a lot of stuff to be concerned about in this time, but it's good to have something to be happy about. We're flowing with it.We put a lot into that film.
Again, we feel that the film was something -- over two years of working on it for me -- it was something that we didn't know how the world would respond to it, given that it's a film about, essentially, death and the origin of the soul and jazz. And it's animation. So to have so many records broken with streaming, and to have the Oscar shortlist and the Golden Globe [win], is beyond what we thought would happen.
They’re even encouraging me to do things that I'd never done. Seeing all of those dance videos, I started doing this dance Sunday hour on Instagram, where I'll do a dance with one person from across the world on Instagram Live. For an hour, I'll end up dancing with 30 or 40 people from different countries around the world. So the song is the birth of all of these things.gain, I couldn't imagine that that would happen when we were making it.
In your new ad for Lincoln, typically, you expect a car commercial to just be a vehicle driving on a scenic highway -- but this one is city-centric, and you and “I Need You” both play a big role. Yes, it's a song that I think captures what we all were trying to get at with the"sanctuary" concept, the [feeling] of that safety and that comfort and that joy. The song is a perfect soundtrack to me getting out of the car after being absorbed in the sanctuary of the car inside, and going into the crosswalk and expressing that joy.
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