MATTERS OF OBSESSION: Behind the music: Revisiting Björk’s boundary-breaking solo albums

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Often dubbed the queen of avant-garde pop, Björk’s breakthrough solo albums, ‘Debut’ and ‘Post’, are iconic and dynamic in their sound.

doesn’t allow herself to be complacent in the music she creates; she’s on a quest to make music that sounds completely different to anything she’s made or heard before. She also allows her voice to come through more prominently than she did on, where she gave us a glimpse of her range. Her soothing voice floats on instrumentals like a film score from a fantasy film –Arguably the biggest song on this album is a cover of a remix of Betty Hutton’s 1950s songrecorded it with a 20-piece orchestra.

“It was the last song we did. Just to make it absolutely certain that the album would be as schizophrenic as possible, that every song would be a shock,” she said., Bjork immerses the listener in her story. You enter with intrigue and you leave with your perspective on pop completely changed. It’s like a fantasy world of music that you never want to leave.’s dynamic and eclectic musical talent makes it difficult for critics and listeners to place her in a box.

 

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