Juilliard Must Modernize, or It Will Disappear

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Juilliard and other classical music schools have to rethink their curriculums if they don’t want to disappear, argues a Juilliard-trained violinist.

, which premiered at Sundance Film Festival. This project was produced in the same way Taylor Swift collaborated with Aaron Dessner on— by sharing files remotely and layering ideas to create a bespoke Appalachian landscape. These musicians wear multiple hats, meeting a need in today’s artistic community as player-composer hybrids.

Intrigued by the idea of stepping out of classical or jazz genres, I attended a non-traditional music camp at the Berklee College of Music in Boston in 2013. Each instructor taught us how to apply classical and bluegrass rooted techniques to perform funk, hip-hop, and pop on our stringed instruments. One class led by a Juilliard graduate, Tracy Silverman, taught a series of techniques introducing his “Strum Bowing Method,” showing violinists how to groove at rock-n-roll.

 

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Sure, we all must adapt and evolve, but the thing is that classical music cannot be taught much differently. The instruments + modus operandi are the same as 100 years ago and the way you learn to play the violin or the piano is set in stone.

This would never disappear it’s still people who love music and play and wanna learn more

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