when I was 18 or 19, in Sweden in the movie theater, and was just mindblown when I saw that movie,” Göransson tells. “I had never heard a score in a blockbuster having so much room and really feeling like a character of the movie.”
Working with Nolan in the shadow of his collaborations with Hans Zimmer was a daunting task, but as Göransson explains inbased on audience expectations for what modern movie music is supposed to sound like. “When people go to see a movie today, you’re already expecting to hear a certain sound,” he says. “You already, as an audience member, expect to hear a certain blend of electronics and the cinematic orchestra. And for [Chris really turned it on its head — the music and the sound is so heavily manipulated. I manipulated organic elements, and I manipulated tech elements. Most of the time, you can’t really tell what’s what.
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ChizembiS
ludwiggoransson ludwiggoransson please tell me you played Chris Nolan some Meshuggah in that meeting. This is information the masses need to know haha.
ludwiggoransson The last five minutes of this where he breaks down the opening of RAINY NIGHT IN TALLINN is exactly what I’ve been waiting for.... hopefully we get to see more incredible breakdowns like this for other tracks where he breaks it apart in the future. Soooooo good.
ludwiggoransson He's great. Loved his work on The Mandalorian.
ludwiggoransson What a fun 6+ hours that would be!! 💕
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Source: wmag - 🏆 723. / 51 Read more »