Seventeen years ago, the Congolese-Belgian musician Lous and the Yakuza, née Marie-Pierra Kakoma, was seven years old and writing around 10 songs a week. She'd sit inside her childhood home in Belgium, and furiously jot down whatever lyrics came to mind every day. Her parents, both of whom were prominent doctors in the country, reminded her of the motto that guided them, a saying repeated often among her extended family:"If you want to be a cobbler, be the best of the village.
This sense of discipline set the tone for the rest of Kakoma's career, which is just blossoming in the United States, after flourishing for years in Europe.
"She was like, 'I have a degree and I cannot practice it. What the hell am I doing here?'" Kakoma explained."She was getting depressed. She couldn't take it." "I've been judged by my friends, my parents, even the music industry," Kakoma said."When people put me in a box, I used to destroy the box and get out of it. Now, I'm happy with the twists in life."
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