, is a film that makes work of hedging its bets. An adaptation of Lotfy Nathan’s 2013 documentary, Soto’s movie similarly focuses on the growing pains of a 14-year-old boy, Mouse , who aspires to join Baltimore’s prolific dirt-bike gang, the Midnight Clique.television alum Sherman Payne, bolstered with story credits from a team that includes celebrated director Barry Jenkins. It tempers prototypical street-drama action with narrative and formal flourishes more common to indie filmmaking.
Narratively lying somewhere between coming-of-age indie darlings and comparatively lighter street-racing fare ,seems unsure how to balance its intentions outside of forming a narrative and style that is more patchwork than harmonized. Overall, it’s a film that is not great but just fine. Its biggest limitations are the ones it places on its own characters. The question of who is worthy of mentorship, of guardianship, of protection, of life, is one that echoes through, yet the story doesn’t explore these queries beyond the most obvious paths.
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