and sets it apart from other movies about euthanasia is that the debate about the morality of that act is already over before the first frame of the film. In other words, it has already been decided, and agreed to, by all the family members who now are gathering for a final weekend of goodbyes to the matriarch of their family.
The centerpiece of it all is a Christmas dinner, a final one — even though it isn’t Christmas. What starts as a warm and celebratory event devolves into something else entirely that not only helps give the movie some of its most important key dramatic moments but also will seem instantly relatable to most viewers watching it unfold.
The big plus here is a perfectly chosen cast beginning with Sarandon, who seems doggedly determined to keep it real, physically, emotionally and mentally, even in the trying circumstances for Lily. Neill is warm and understanding as Paul, a doctor who has planned the actual act to happen organically and without suspicion in a state that does not support the right to die.
Wilson as Michael has what could have been an inconsequential role as the son-in-law afraid to assert himself against stronger family members, but the actor makes it his own when given the chance. Veteran Duncan is, as usual, a real plus to the proceedings, even when revelations threaten to sink the whole soufflé. They don’t.is about someone trying to keep her dignity intact with a personal choice, controversial to some, that ultimately is hers to face alone.
Screen Media sends it out Friday on VOD. The film had its world premiere at last year’s Toronto Film Festival. Producers are Robert Van Norden, Sherryl Clark, and David Bernardi. Avi Lerner’s Millennium is the production entity. Check out my video review with scenes from the film at the link above.and keep your inbox happy.
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