, compared with the usual 300-plus that makes Toronto one of the world’s biggest, most diverse and inexhaustible cinematic showcases. And those of us diving into the lineup remotely — courtesy of the spiffy TIFF Digital Cinema Pro platform — will at least be spared the trouble of waiting in lines, dashing between theaters and subsisting on a concessions-based diet.
But perhaps I should have. Both “Nomadland,” a modern-day American road movie, and “Ammonite,” a 19th century English romance, are at least partially drawn from real-life figures and events. Both center on women who have chosen, for very different reasons, to dwell at a remove from mainstream society. If nothing else, the fact that they are played by Frances McDormand and Kate Winslet, respectively, should have indicated that some excellent acting was in order.
But the movie is also a further refinement of Zhao’s techniques, of the rough-hewn yet strikingly seamless weave of fiction and nonfiction that she achieved with her 2015 debut, “Songs My Brothers Taught Me,” and came close to perfecting in 2017’sAnd it’s a refinement for its star, who slips into this role in a way I don’t think I’ve ever seen her do onscreen. That’s not to say McDormand vanishes, exactly; actors with as distinctive and commanding a presence as hers rarely do.
Hope lives in our dreams and positive feedback. Kindness is alive in direction and acting in empathy to the disengaged and struggling families over the horizon.
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