, Rosie’s work is a little reminiscent of “early Martin Parr and Tom Wood combined with the raw feeling of Henry Bond”. , bears all these classic hallmarks. “These pictures were shot over two trips to Miami in December 2018 and 2019, mostly at the art fairs and after parties along the beach,” she says. “I had never been to an art fair before, let alone Art Basel, and was interested in showing up and seeing what and who I found.
Granted a press pass, allowing her to move freely between the many different exhibitions and parties, Rosie quietly observed the extreme opulence and extravagance of the infamous annual art fair -- and its swarm international buyers, collectors and socialites. From high-heeled feet poking out of taxi doors to hands grasping onto champagne flutes and iPhones, these pictures capture everything one might find in a Getty Image folder, yet make a much more interesting commentary on it.
Although she initially shot these images without the intention of publishing them, Rosie’s desire to make something that exists outside of Instagram led her to create this booklet. “I also had a bit of time over lockdown and so got into this project more,” she says. “It feels good to finish something, it’s hard to move on when things remain incomplete.”
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