Ortega started as a stage actor before becoming one of the most sought-after choreographers in the world, working with Michael Jackson, Cher, Gloria Estefan and Madonna , then parlaying that into film as a collaborator with John Hughes on “Pretty in Pink” and “Ferris Bueller’s Day Off,” along with “Dirty Dancing.
“I pushed ‘play,’ and there was this little 14-year-old girl that had never done a self-tape before, never worked professionally, had never performed in front of a camera, and she was just so authentic and vivacious,” Ortega says. “One of the executives walked up to me at one of my rehearsals in a giant soundstage and said, ‘Your ensemble is a little dark,’” Ortega says. “I looked up, and above the stage were like 2,000 lights, and I said, ‘Why don’t you just turn more lights on?’”
Ortega is among an impressive string of content creators, from Ryan Murphy to Shonda Rhimes, who have jumped to Netflix recently. While those TV power players had already found great success in specific styles that defined their franchises, the streamer offered a wide range of programming opportunities and creative flexibility.For Ortega, best known for his musical abilities and teen hits, Netflix afforded the chance to evolve across different spaces, though his first two projects are tuners.
“I’m really excited about it, especially now that we’ve all been sent home for such a long period of time,” Ortega says of launching the show amid the pandemic, during which time Netflix’s stock has skyrocketed. “I think there is something in the spirit with ‘Julie’ that is refreshing.”
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