In the best of times releasing a film is exciting and tense. But now?It is a film that has been brewing in Nolan’s mind, in some ways, for decades. It started with an image of a bullet being sucked back into the gun. He toyed with the symbolic concept in “Memento,” but always wanted to make it more concrete. Over the next 20 years, Nolan and his producer and wife Emma Thomas would see their films amass nearly $4.8 billion at the box office.
To give a sense of its scale, consider the 747 jumbo jet crash sequence. Everyone assumed at the beginning that the grandiose concept would be accomplished with computer graphics and miniatures. Part of the reason Nolan can push the action is that he relies on teams he’s used before. For the water sequences, Nolan called on a marine unit he used in “Dunkirk.” For the car chases, he brought back the man who flipped the Joker truck in “The Dark Knight.”
If that’s a little heady to process, it’s OK. One of his characters advises The Protagonist not to try to understand it, but to feel it. It’s what Nolan recommends too.
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