Photo: Melinda Sue Gordon/Warner Bros. In Christopher Nolan’s palindromically titled latest movie, two intelligence agents must wend their way through the high-level global machinations of a nuclear weapon–wielding billionaire who has learned how to bend time. If that sounds absurd, well, yes: Occasionally, for all its seriousness, Tenet can feel like Timecop with a superiority complex.
The Protagonist and his British compatriot Neil fight their way through London, Mumbai, and numerous other far-flung locales by way of arms dealers and art forgeries in order to find and entrap their man, eventually looping back in on themselves in multiple situations. They enlist the help of Sator’s estranged wife, Kat, a well-cast Elizabeth Debicki as a Hitchcock-style blonde with sleek, long-limbed physicality and real upper-crust chilliness.
christinalefou This is the currently lowest hanging fruit of film critic sophistication: The Christopher Nolan “but where is the soul/viscera/desire of the film?” screed. “Why can’t Nolan be more like Almodovar?” Well... First, I guess I should say that’s a really stupid question?
christinalefou I like Nolan films. Inception comes to mind as I read this. Not sure if the reviewer is correct about Tenet. I look forward to seeing it. When it streams. But this is one beautifully written review.
christinalefou I fucking hated every single second of it...even the cheap-ass music.
christinalefou So, it's Interstellar 2 Electric Boogaloo
christinalefou I mean, Just cause you didn’t understand it.
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