, is just as much a love letter to block printing as it is to India. Throughout her documentation of the craft’s history—its ancient origins in China, adoption in India, and the modern-day pressures that threaten its survival—radiates her love for Rajasthan, the home of Indian block printing to which she owes her passion for, and education in, the art.
Mahon’s storytelling is sensorial, drawing us into the rhythmic ‘thud-thud’ of the wooden block, the exuberance of color palettes, the excitement that comes with lifting the block and seeing what gets left behind—and the “magical touch” of the human hand.from fabrics to wallpapers and cushions. That environment, she says, contributes a great deal to her work, too: in her walks through the English countryside, she finds inspiration for patterns and texture.
After all, pattern is play, and play is joyful. And who can deny that it’s a wonderful time to bring a little joy into our homes?Arati Menon: What about printmaking gives you so much joy?: The beauty of it lies in the simplicity of the process, which in India has remained largely unchanged for hundreds of years. I love the instant gratification of lifting the block, and seeing a repeat pattern growing along the print table.
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