, turned a road-trip film into a dreamlike tour Sunshine State regionalism. Here, she crafts a nightmare scenario one step removed from our daily life right now. This was supposed to premiere at SXSW back in March, before the festival canceled this year’s edition. It just happens to slink into drive-ins this weekend — and on VOD starting August 7th — at a moment that seems eerily in sync with the country’s other-people-equals-death mindset.
Yet you never sense that Seimetz is trying to be topical about anything or issue some pre-COVID state of the nation.is undeniably a horror movie, complete with intense music cues and glimpses of blood-smeared walls, but it’s an intimate one. It’s probably not a coincidence that the lead character is named after her creator, or that the film’s early scenes of Sheil wandering around her house, isolated and on edge, feel so uncomfortably, emotionally naked.
Then again, so is the film’s entire portrait of a society that feels overcome by a viral sense of gloom, doom and panic-stricken pessimism writ large. Because they would not stop for death, it kindly stopped for them, and it’s sent a meeting invite to the Outlook calendar in your skull for tomorrow. The apocalypse, however, is now. Seimetz, Sheil and their cohorts have delivered a contagion movie set to stun rather than kill, which somehow makes all of it feel that much more close to home.
Listen to my new quarantine music release! Good vibe from Colombia
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